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Brno International Music Festival Exposition of New Music |
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Music can deal in an original and meaningful way with material that is considered "dusty" or even "dead". This year's festival proves this point in several ways.
Concerning opera, Robert Ashley, one of America's most influential composers of contemporary experimental opera, makes a chamber version of Foreign Experiences Does the absorption of folklore tradition belong in the national revival or world music? Mehmet Can Özer, the Turkish composer and improviser, demonstrates in Siyah Kalem Dance that it can be even different. And what about the pop music? The international musical configuration don@u.com shows that pop music isn't only required equipment for a street musician, but also the rich source of subsequent improvisations. You can also hear the music of the young German cellist of Czech origin, Jan-Filip Ťupa, whose reputation is growing in the field of modern music interpretation. You can see him in Brno in duo with the Swiss pianist Reto Staub performing compositions relating intentionally to time phenomenon. The multimedia dance project V-Trike composed by the Austrian musician Bernhard Lang is very likely to attract a good crowd. Vítězslav Mikeš, Head Dramaturge Program
Wednesday, March 2, 2011, 19:30
Club Fléda, Štefánikova 24, Brno
Unpredictable Standards (SK/AT)
don@u.com: Unpredictable Standards for chamber ensemble and electronics (2009)
don@u.com (AT/SK) Marek Piaček (SK) - flute, electronics Ronald Šebesta (SK) - clarinet, bass clarinet Peter Zagar (SK) - keyboards Daniel Matej (SK) - turntable, CD player, electronics, objects Fabian Pollack (AT) - electric guitar, electronics Judith Unterpertinger (AT) - objects Bernhard Breuer (AT) - percussions Roman Laščiak (SK) - sound
The temporary musical ensemble don@u.com was put together by the Slovak composer Daniel Matej and Austrian composer Martin Siewert in 2004 in an association of musicians close to each other in both idea and place (affinitive musical feeling within the Central European region). The project Unpredictable Standards was born of a then very original idea to remix several pop songs and melodies in real time. On the stage the source material can often change beyond recognition. The subject-matter of their performance is not recognition (as it is on the subject of most remixes), but to let internal relationships in the music find new connections which are unpredictable and often surprising for everyone involved...
www.donau.k6.sk
Thursday, March 3, 2011, 19:30
VUT Assembly Hall in Brno, Antonínská 1, Brno
Praesenz | intercom (DE)
Morton Feldman: Durations (1960), timelessness
Miroslav Srnka: Simple space (2006), time as a geometric space Peter Graham: Fragment II 1998), relentless, mythological time Franco Donatoni: Sincronie (1992), presence, time screen Bernd Alois Zimmermann: Intercommunicazione (1967), period, pulse, Augustine time philosophy Elliott Carter: Sonata (1948), proportion, transformation Heinz Holliger: Romancendres (2003), historical time shift Jan-Filip Ťupa (DE) - violoncello Reto Staub (CH) - piano
We usually determine time accurately by splits of seconds to measure efficiency, to pin it down to our digital memories, but after all we are defenceless against it. The experience of time is one of the essential conditions of human existence. Martin Heidegger said: "In the face of Death we can realize limitation of time in our existence and accept the responsibility for it." Music is the art which exclusively takes its place in time. To compose means to shape time, to create a time space. The composers of this concert deal in their music explicitly with the meaning of time.
www.praesenz.org
Friday, March 4, 2011, 19:30
Studio 1 in the Czech Radio, Kounicova 22, Brno
Siyah Kalem Dance (TUR)
Mehmet Can Özer: In the Arctic Cave
Mehmet Can Özer: Siyah Kalem's Dance Mehmet Can Özer: Clarinet Concerto Mehmet Can Özer: Reflections III Mehmet Can Özer: Siyah Kalem's Dance no. 2 Mehmet Can Özer - live electronics, piano Eda Özer - violin Nusret İspir - clarinet Cenk Güray - baglama Tolga Saraçoǧlu - ney Max Hattler (DE) - video
The electro-acoustic project harnesses conventional western and eastern instruments with live electronics, augmenting the composition with improvisation and video. The Turkish composer Mehmet Can Özer puts his sociologic and cultural views in the music, and his performance highlights the missing multicultural communication issuing in an irrational battle "against the others". In course of his cultural research Özer came to the conclusion that there is neither eastern nor western culture, but there are variations of one single original. This concert takes place in collaboration with the European Broadcasting Festival (MusMA).
www.mehmetcanozer.com www.maxhattler.com www.musma.eu
Saturday, March 5, 2011, 10:00
Janáček Academy of Music and Performing Arts in Brno, Chamber Hall, Komenského nám. 6, Brno
Aşure
Lecture of the Turkish composer Mehmet Can Özer on his project Aşure connecting traditional Turkish art (fine arts and music) with live electronics and a improvising.
Saturday, March 5, 2011, 19:30
Stadion (former G-studio), Kounicova 22, Brno
Foreign Experiences (USA), Czech opening concert
Robert Ashley: Foreign Experiences (1994), chamber opera for two voices
Sam Ashley (USA) - voice, direction, and synthesized orchestral parts Jacqueline Humbert (USA) - voice Robert Ashley, Sam Ashley, Thomas Buckner, Marghreta Cordero, Jacqueline Humbert, Joan LaBarbara, Amy X Neuburg - voices in the background.
The Foreign Experiences composed by the television opera pioneer, Robert Ashley, is a part of an opera tetralogy, Now Eleanor's Idea, based (on a sequence of events) seen from four different viewpoints.
Each opera is an allegory of an (individual-self-realisation) in the context of various religions practised in the United States. The subject of Foreign Experiences is the Pentecostal (Apostolic) Church. The original version of this opera was composed for seven voices and orchestra. In Brno we can hear a newer version for two live voices, seven background voices, and electronics by Ashley's son, Sam who also takes part in this performance. "Don Jr. has come to California with his family - Linda and Jr. Jr. - and his friend, "N," to take a job at a small college... There is a peculiar, eerie, indescribable loneliness in all of California. It permeates everything. Maybe it's just the water. Maybe there are other places of the same sort in other places on Earth. But California could be special, the place where the early European-American settlers, upon arriving - if they got there, realized they would never get back. California is the end of the Earth. That feeling is passed on from generation to generation without anyone recognizing that it is part of them. And it is passed on to the most recent arrivals. Even today in the precious palaces of Malibu, in the vast developments between Los Angeles and San Diego, in the spreading domestic comfort of the San Francisco Bay area it's there. It poisons our movies and TV shows. It generates the most violent and interesting mystery novels. Even now jet travel doesn't cure it. It comes down on you hard when you get off the plane and step outside the terminal. It drives some people mad." (Robert Ashley) www.lovely.com/titles/cd1008.html www.lovely.com/artists/a-humbert.html
Sunday, March 6, 2011, 10:00
Skleněná louka, Místogalerie, Kounicova 23, Brno
Workshop
A workshop on the development and execution of the opera Foreign Experiences by Robert Ashley, in the two-voice version by Sam Ashley, featuring Jacqueline Humbert and Sam Ashley. The workshop will feature discussions and demonstrations of various aspects of the piece, including an introduction to the innovative vocal techniques pioneered by Robert Ashley and used by Jacqueline and Sam in performance, as well as a presentation on the way "Electronic Voice Phenomena" (EVP) effects (a name given to the practice of creating recordings that contain vocalizations of deceased people) are utilized in the orchestra (the "EVP Mix" created by Sam Ashley).
Sunday, March 6, 2011, 19:30
Club Fléda, Štefánikova 24, Brno
Das Mechanische?! (AT)
Winfried Ritsch: Woodscratcher (2007)
Bernhard Lang: V-Trike (2007) Veronika Zott - dance Christine Gaigg - choreography Winfried Ritsch - electronics
In his Woodscratcher, Winfried Ritsch eliminates interventions by performers and lets all the process depend on the interaction between a piece of wood and a metal needle which, like on a record turntable, and subsequently picks up "cuts" from particular "grooves" in the wood. The performance is picked up by four microphones in a space of circulating sound.
V-Trike is a staged dance arising from music, movement and video interactions in real time. The chamber performance makes use of the antimony between interpretations of the machine and the human. Christine Gaigg, the choreographer, and the dancer, Veronica Zott, create a concurrent, sometimes quasi competitive, yet often completely independent interpretation of Lang's score. The parallel digital form occurs directly on a screen. As Ms. Gaigg says in this "live choreography" each performance becomes quite different and unique. algo.mur.at/ritsch www.2ndnature.at/index.php?id=664 members.chello.at/bernhard.lang Video
Ticket price: 130,- CZK, student ticket: 60,- CZK. All festival ticket for one person (5 concerts excl. the associated performance): 500,- CZK Tickets will go on sale at the concert venue half an hour before the concert begins or book at ars@arskoncert.cz or tel.: +420 543 420 951. Associated performance of the Exposition of New Music
Thursday, March 3, 2011, 17:00,
17:00, The Brno House of Arts, Malinovského nám. 2, Brno
Pumpkin Daemon in Vegetarian Restaurant (CZ)
Ensemble Opera Diversa
Opera by two Brno composers: Ondřej Kyas and Pavel Drábek. Director: Tomáš Studený Scene: Sylva Marková Conductor: Gabriela Tardonová Ticket price: 130,- CZK, student ticket: 60,- CZK. Tickets will go on sale at the concert venue half an hour before the concert begins or book at vstupenky@operadiversa.cz or tel.: +420 777 909 521.
The program is subject to change.
Partners
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