Two main streams of today - the art working immediately with sounds and the compositions for interpreters beyond habitual conventions - these are actually two sides of the same phenomena: an endeavour to unshackle the bourgeois music concept as a mere symbol of “culture” and generate changes in perception. When changing the perception, the way of thinking can be changed and on changing the way of thinking, life itself can be changed.

The music's dramaturgic concept takes the opportunity of a great Soundart exhibition Hermear’s Ear being held by the Brno House of Art in March 2009. The renowned artists (Gordon Monahan, Don Ritter, Jon Rose, Keith Rowe, Hans W. Koch) will exhibit their works here and simultaneously present their sound installations in the House of Lords of Kunstat (Dům pánů z Kunštátu).
The other side presents the compositions performed by the top Canadian ensemble Quatuor Bozzini in two differently conceived programs: in particular the first one presents the American composers and the new work of radical German minimalist, Ernstalbrecht Stiebler. The second concert features the works of JAMU students and the first Czech performance of an extremely spacious piece of James Tenney “...in a large open space ...”.
A certain balance of these two extreme views brings together two Berlin ensembles with their individual musical approaches: the trio, phono_phono, processing acoustic instruments in electronic matrix combining severe composition and improvisation and the clarinet duo, The International Nothing, with its own consequently acoustic composition going beyond the usual instrument playing.